Sunday 27 September 2009

Experimenting

This is a stop frame animation i made over the summer. I used it as an experiment of using a differnt type of film, something that i could possibly do for my final thing.
I chose a band with a similar genre and used a simple love story, with a vintage effect added to each clip, this is similar to what i want to produce for my final film for Exlovers.

Wednesday 9 September 2009

Film noir - genre

During Monday’s lesson we researched deeper into the different aspects of genre to help us have a greater understanding of different types of film. Doing this will help us make decisions on how to challenge conventions to create something unique whilst keeping elements the same as the stylistic conventions of my chosen media choice (music videos) – in order for the audience to understand the final product whilst being successful.

Film noir has distinctive characteristics and conventions which began in the early 40’s. The contrast of the black and white shots with sinister shadows and orchestral non – diegetic music creates a sophisticated yet thrilling piece of footage.
The typical conventions of film noir are black and white, cigarettes, shadows, guns, alcohol, lipstick.


The video below is a classic piece of film noir.

The Killers - (1946)
Director - Robert Siodmak




I love how the shots appear dramatised by the low key black and white shots. Using black and white editing is something I am debating to use in my own work as I am wanting to create a vintage looking video, similar to The Kooks – Ooh La. (see post 15th July 2009)
However, seeing as the song choice that I have chosen a light hearted melodic song, I feel black and white may look too dramatic, where as the lighting used in the video for Florence + the machine is over exposed, and almost dream like whilst keeping the retro vintage feel, keeping with the bands style and ideologies.

music video codes and conventions

To help me with my knowledge and development about creating a music video, I and two other students researched the ins and outs on how to create something successful by studying their codes and conventions.

Monday 7 September 2009

'how to shoot a music video'

Whilst searching the internet, i found a good website which gives step by step advice on how to shoot a successful music video.

How to Shoot a Music Video Step by Step

From A. Flegenheimer


http://musicians.about.com/od/musicindustrybasics/ss/makeavideo_10.htm



Choose Your Song


Having a music video can help promote your band, through video sites such as YouTube and MySpace. As well as by getting exposure on national television. If you're a film maker making a music video is a good way of getting exposure and experience and bands are often happy to give you a creative free reign. A video doesn't need to cost a fortune what's important is having a good idea and working within your budget. Production companies charge a fortune for even the simplest promo video, but you can easily do it yourself. First things first, however. You have to choose your song.
While it might make sense to make a video for your upcoming single there are a few other factors to consider:
• It can take a lot longer than you think to make a video, so by the time it's finished your single might have come out. It might be an idea to think about making the video for a subsequent single.
• Having said that, in these days of internet downloads, any track can be seen as a single, so there might be a track on the album that you have a great idea for a video for, even if that track wasn't originally planned as a single.
• Remember that it can take a long time to shoot and edit each second of video so while you might have a good idea for a video for that 10 min epic that closes the album it might be more practical to shoot a video for the 3 min pop song.
Get a Team and Equipment Together
However complicated (or simple) your shoot is, you'll need a team of people. As well as the actors/performers you'll need:
• Camera person – At least one, and maybe more.
• Lighting Person – If you're filming inside you'll need lighting, and someone to look after it.
• Director/dogsbody – You need someone in charge of the shoot, making sure everything is running smoothly, and who can go buy batteries when you need them.
It's a good idea supply some kind of refreshments for your crew – that will not only keep them happy but also stop them popping off to the shops to get their own supplies, just when you need them for the shoot.
Ideally you'll be able to recruit a team who have their own equipment. If you have to get equipment, then you'll want to get the best your budget allows. While prices are coming down, buying a camera, lights and other gear will still set you back a small fortune. You'll be able to get more equipment for your money by renting gear; many places have community arts programs where you can hire equipment cheaply. You can also check out the local colleges in your area to see if they can help. If you are looking to buy gear, then do your research. For example you're probably better of buying a higher spec Standard Definition camera, than a bottom of the range High Definition camera.


Plan Your Shoot


The more planning you can do before hand the quicker you'll be able to shoot. If you're renting gear, the quicker you can shoot the less it will cost you, and if you're relying on favors, people will be more willing to help again if you keep the hanging around to a minimum. To plan, you should:
• Draw story boards showing each scene and shot
• List the crew, performers and props you'll need for each shot
• Try and brief the camera and lighting people beforehand so they know what you want from the shot.
Filming
On the day of the shoot be prepared and organised. Keep a record of shots you've made; it'll make editing much easier. Always allow plenty of time for shooting - the finished shot may only last 10 seconds, but could easily take several hours to set up and shoot. When you're happy with a shot, if you have time, shoot it again. You can never have too much footage, and the retake may capture something that you hadn't noticed first time round. You'll have your plan and storyboard to follow, but remember that some of the best moments in a video can be unplanned. Keep the camera rolling – these days tape is cheap

Capture Live Footage

Filming the band playing live can provide you with great footage for a video. Filming the band at a gig will mean you'll be able to capture the bands live energy and their interaction with the audience. They are some difficulties, however:
• They'll only play the song you've making the video for once so you'll only have one chance of capturing the right footage
• The live version may differ considerable from the recorded version so syncing the footage with the track could be problematic
• The band's, and particularly the audience's, movements won't be choreographed, so you, or your camera person, won't know where to be to capture the right shots
• The lighting and effects may look great to the audience but may not look great to the camera
• Your filming may interrupt the bands performance.
• Live filming may provide you with some great footage that can be used as part of a video, but if you want live footage to synch to a video, your best bet is to "stage" a live performance. Get the band to play along (or mime) to the track in front of an audience of mates or invited fans. You can then control the lighting, people's movements and get the track played as many times as you need (or at least until the band decamp to the bar!)

Use Stock Footage

You can spice up your video by adding stock footage but you need to be aware that, like music, almost all video footage is subject to strict copyright law. Making use of footage without the copyright holders express permission is illegal. (That shot from Top Gun may look great in your video but you'll need permission from Paramount Pictures to use it).
However, there are source of footage that you can legally use. Royalty free footage is footage you can re-use in any setting, without asking permission or paying the copyright holder a fee each time you use it - but you may have to pay a fee to obtain it in the first place! Fear not: there is free royalty free footage – footage that's in the public domain. Some sites where you can download public domain footage for free from are:


Editing


Your footage might be great, but it'll only become a great video through editing. To do a good job you'll need patience, time and more patience. You'll need to decide the 'feel' and pace of the video. Will it be made up of long sweeping shots, or quick sharp edits? Do you want to follow the mood of the song and edit to the music or do you want the video to contrast with the track?
The judicious use of the right effect can really set your video apart. As well as your software standard effects, there are usually many plug-ins that you can download (some free, most for a fee) so feel free to experiment (most plug-ins have a trial version you can play with for free before you buy). See tip 3 in the last step for more about the proper use of effects.
A word of warning: if you're making a video as a band it's usually best to delegating the editing process to one person. After they've done a rough edit you can discuss how it should be finished, but if 4 people sit round all trying to edit a video together a long process will become torturous and, almost inevitable, will end in falling outs.

Get the Right Software and Hardware

These days cheap, or even free, software can do a professional job of editing. The basic video software for Macs is iMovie and for the PC, Adobe's Première Elements is a good place to start. The more complex software available may give you more freedom and choice, but for the beginner these package can be overwhelming and very pricey.
Any new computer should be capable of editing film footage, and even a ten year old PC should be able to handle basic video editing software. Video editing takes up a lot of hard drive space, so keep your hard drive clear and get rid of footage your not using (but be careful not to delete footage you ARE using!). Investing in a new hard drive to store you video footage on is probably a good idea.
The output format will depend on it's destination. Highly compressed formats are best for streaming over the internet (Quicktime is the most universal), DVDs are great for send out to press and media, and a DigiBeta tape is need for TV broadcasts (something you'll need to get made up at a professional production company).

Be Creative

How many videos have you seen on MTV that consist of the band playing in a club, with the lights flashing whilst the audience jump up and down? Exactly. Try and think of something different when you make your video. Filming a Hollywood blockbuster on a shoestring budget will generally look crap! One of the most interesting videos I've seen recently was of the band playing in the back of a transit van while it went through a car wash – the only cost was the car wash fee. From this simple idea they made a interesting and quirky video that was premiered on MTV Europe.

Tips for Making a Good Music Video

Beware of Using Excessive Zoom:
It may look cool while you're shooting it, but in the final edit zooming often looks clichéd, and unless done with a very steady hand can often look amateurish.
And Excessive Special Effects:
Even the most basic video editing software has a myriad of of special effects for you to use; color changing, rolling edits, split screens.....it's advisable to use them sparingly. A good video isn't a showcase for how many effects you've mastered. It's usually better to use a couple of effects throughout the video to create a certain feel rather than use as many effects as you can to make a video exciting (if you need to do this, then maybe it's time to rethink your idea. or add some more footage - see Steps 4, 5 and 6).
But Think about Adding Sound Effects:
A dramatic music video may be enhanced with some addition sound effects. If your video begins with someone walking down the street, you could add the sound of footsteps or ambient street noise over the intro. If you're making a video for someone else make sure they won't mind you adding sound effects to their perfectly crafted tune!
Don't Be Over Ambitious:
A simple idea well executed is often more effective than a complex idea done badly.
And Ignore All I've Said:
The most interesting videos are made when the rules of convention are bent, buckled and broken, so keep experimenting and above all else, make something interesting.
Many thanks to video director Arthur T. Flegenheimer (stage name) for his expertise!